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Development till Exhaustion
Fixation till Exhaustion
Parts of Matter
Ag
Exposed (for Alison Rossiter)
Test Strips
hommage à Simon Hantai
Spots
Fixed Papers
Gray
Waves
Back
Erosion
TAIE
Spectrum
monochrome
Field of Colors
Home
Contact
About
Development till Exhaustion
Fixation till Exhaustion
Parts of Matter
Ag
Exposed (for Alison Rossiter)
Test Strips
hommage à Simon Hantai
Spots
Fixed Papers
Gray
Waves
Back
Erosion
TAIE
Spectrum
monochrome
Field of Colors

hommage à Simon Hantai

At a time when everyone treated the canvas with distance, Simon Hantai favoured craftsmanship and a more direct contact with the material. This connection with the material and the ‘Pliage’ technique he elaborated his paintings with, has become a pivot in my practice. This tactility is significant, yet hard to attain in technical media; but the materialisation in the medium of photography is not even necessary. Hantai’s approach is an indication, and I wish to preserve it as such in my artistic attitude. This is partly the reason why the relation between painting and photography has become so important for me.